doc20170323181428_001-1.jpg
doc20170323181208_001-1.jpg
 Banquo's ghost costume drawings

Banquo's ghost costume drawings

doc20170323181020_001-1.jpg
 Macbeth /1/ - Costume design

Macbeth /1/ - Costume design

  “  The body is the site where identity as defined by gender, race, and sexuality is located, performed and challenged." 

The body is the site where identity as defined by gender, race, and sexuality is located, performed and challenged." 

 Banquo's ghost

Banquo's ghost

alisa-kalyanova-9new.jpg
  "The actor  ’s   body is used as a surface for the inscription of a visual language and identification, both real and projected from stereotypes. Actors are investigating the temporality contingency and instability of the body; identity is   “acted   out  ”   on its own and through the use of props and pieces of costume. Through the use of accepted signs and signifiers codes of gender, race, role in society etc are investigated.  ”

"The actor’s body is used as a surface for the inscription of a visual language and identification, both real and projected from stereotypes. Actors are investigating the temporality contingency and instability of the body; identity is “acted out on its own and through the use of props and pieces of costume. Through the use of accepted signs and signifiers codes of gender, race, role in society etc are investigated.

 Apparitions - early sketches

Apparitions - early sketches

doc20170323181042_001-1.jpg
doc20170323181102_001-1.jpg
alisa-kalyanova-2new.jpg
 Macbeth /2/ and /7/ - Costume design

Macbeth /2/ and /7/ - Costume design

doc20170323181129_001-1.jpg
doc20170323181245_001-1.jpg
doc20170323181454_001-1.jpg
doc20170323181326_001-1.jpg
doc20170323181347_001-1.jpg
doc20170323181407_001-1.jpg
doc20170323181428_001-1.jpg
doc20170323181208_001-1.jpg
 Banquo's ghost costume drawings
doc20170323181020_001-1.jpg
 Macbeth /1/ - Costume design
  “  The body is the site where identity as defined by gender, race, and sexuality is located, performed and challenged." 
 Banquo's ghost
alisa-kalyanova-9new.jpg
  "The actor  ’s   body is used as a surface for the inscription of a visual language and identification, both real and projected from stereotypes. Actors are investigating the temporality contingency and instability of the body; identity is   “acted   out  ”   on its own and through the use of props and pieces of costume. Through the use of accepted signs and signifiers codes of gender, race, role in society etc are investigated.  ”
 Apparitions - early sketches
doc20170323181042_001-1.jpg
doc20170323181102_001-1.jpg
alisa-kalyanova-2new.jpg
 Macbeth /2/ and /7/ - Costume design
doc20170323181129_001-1.jpg
doc20170323181245_001-1.jpg
doc20170323181454_001-1.jpg
doc20170323181326_001-1.jpg
doc20170323181347_001-1.jpg
doc20170323181407_001-1.jpg

Banquo's ghost costume drawings

Macbeth /1/ - Costume design

The body is the site where identity as defined by gender, race, and sexuality is located, performed and challenged." 

Banquo's ghost

"The actor’s body is used as a surface for the inscription of a visual language and identification, both real and projected from stereotypes. Actors are investigating the temporality contingency and instability of the body; identity is “acted out on its own and through the use of props and pieces of costume. Through the use of accepted signs and signifiers codes of gender, race, role in society etc are investigated.

Apparitions - early sketches

Macbeth /2/ and /7/ - Costume design

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